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カロ・ミオ・ベン~イタリア古典歌曲集

カロ・ミオ・ベン~イタリア古典歌曲集

By ユニバーサル ミュージック クラシック
価格(税込): ¥ 1,607
国内配送無料


Ultimate Opera 2

Ultimate Opera 2

By Elektra / Wea
新品出品価格: ¥ 2,346
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パヴァロッティ・フォーエヴァー

パヴァロッティ・フォーエヴァー

By ユニバーサル ミュージック クラシック
価格(税込): ¥ 3,297
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Art of Cecilia Bartoli

Art of Cecilia Bartoli

By Imports
価格(税込): ¥ 2,099
国内配送無料


ゆかしい月よ/イタリア歌曲集

ゆかしい月よ/イタリア歌曲集

By ポリドール
価格(税込): ¥ 4,480
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The Salieri Album

The Salieri Album

By Decca
価格(税込): ¥ 2,424
国内配送無料
Antonio Salieri is, unfortunately, best known as Mozart's great Viennese rival. Some of his work has appeared on recordings, and he was clearly an interesting composer of well-crafted, entertaining music. But now that a singer with the stature and prodigious gifts of Cecilia Bartoli has undertaken an entire CD of his opera arias, he may just become a quasi-household name. Here he proves himself a composer who wrote for virtuosos; Bartoli is nothing if not a vituoso. And, indeed, this CD opens with an impressive bang: An aria from La secchia rapita features a wild vocal line complete with wild coloratura, huge leaps, a range from low G to high D flat (Bartoli flirts more and more with the soprano range while using her chest register even more forcefully!), and vast dynamic changes accompanied by a full orchestra augmented with grand, martial trumpets. Other arias--one from Palmira, Regina di Persia, for example--are more introspective and are spun out with a graceful, seamless legato and seemingly endless pianissimo. Everything one loves about Bartoli is here: the intensity, absolute fluidity in execution, breath control, glorious trill, the ability to whisper or holler, and an identification with the character she's portraying which makes the situation credible and involving for the listener. At the same time, we can't overlook a tendency to overstatement and exaggeration and a breathiness to some of the delivery which can be an annoying mannerism. But where else can one get such excitement and commitment coupled with an irresistible charm in a singer so clearly at her peak? Most/all of the arias and operas here are virtually unknown; this CD whets our appetites for more Salieri. The accompaniments are as superbly thought-out and played as one would hope for--the wacky pizzicato strings and solo wind and brass lines in an aria from La Cifra, for instance, will delight. Bartoli fans and fans of great singing should not wait another moment before ordering this. --Robert Levine


ハイドン: 歌劇「アルミーダ」

ハイドン: 歌劇「アルミーダ」

By ワーナーミュージック・ジャパン
ユーズド価格: ¥ 9,500
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The Vivaldi Album

The Vivaldi Album

By Decca
価格(税込): ¥ 2,119
国内配送無料
Mezzo Cecilia Bartoli could easily rest on her laurels as one of today's most charismatic, character singers for her lively portrayals of Mozart and Rossini heroines. But it's been particularly exciting to observe her growth as an artist in exploring the exuberant world of baroque opera, with its range of pyrotechnic demands--both vocal and emotional. Bartoli's show-stopping virtuosity in a Vivaldi aria from her Live in Italy recital gave a tantalising sample of her finesse in that style. For The Vivaldi Album, Bartoli conducted extensive research into the composer's manuscripts (a documentary tracing her quest is planned for subsequent screening). Although he's best known for his concertos--in typically baroque fashion, two of the arias in fact recycle material from The Four Seasons--Vivaldi was a ferociously prolific composer of operas for the cutting-edge theatres of his time and the arias gathered here demonstrate the word-painting magic of his music, from the sylvan setting of duetting flageolets in "Di due rai languire costante" to the storm-tossed passions of "Anch'il mar par che sommerga", where Bartoli spins out ripples of rapid-fire coloratura with a gravity-defying accuracy that will leave your head spinning. In addition to many such examples of vocal acrobatics, Bartoli brings exquisite nuance and limpid tone to the delicate echo effects of "Zeffiretti, che sussurrate" and there's no better test for the remarkable flexibility of her range--full and dusky at the bottom and thrilling at the top--than the huge intervallic leaps of "Dopo un'orrida procella". With her naturally large voice, Bartoli can at times tend to histrionic excess (in the recitative to the short aria from "L'Orlando finto pazzo"), but the expressive colour of her phrasing is wonderfully matched throughout by Il Giardino Armonico's lively panache. All power to Bartoli in her goal of reviving this neglected aspect of Vivaldi's output. --Thomas May


Cecilia Bartoli Live in Italy

Cecilia Bartoli Live in Italy

By Decca
新品出品価格: ¥ 1,450
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In the beginning, Cecilia Bartoli seemed to do one thing better than anybody, i.e., Rossini arias, which would not guarantee a long career even for a singer of her ebullience. This live performance from the Teatro Olympico in Vincenza, Italy, shows how much she's expanded, both linguistically and musically. The first five selections reflect her newfound specialty, early opera. The three Caccini selections from the 17th century--accompanied by small string ensemble--are deeply felt and stylistically convincing enough to make one eager for future forays. She's guilty of spinning out Handel's "Lascia la spina" excessively but hits new heights of virtuosity in Vivaldi's "Agitata da due venti." The rest of the disc is for voice and piano, in a program including both some genuine discoveries by French composer Pauline Viardot-Garcia that reveal the singer's increasing emotional depths and less consequential ones by Donizetti and Rossini. Bartoli also sings Spanish songs, most notably Montsalvatge's "Canto negro," proving that the singer doesn't venture into a new language until she can truly feel in it. Remarkably, her voice maintains its strength and body in the deeper, mezzo-ish regions as well as in the high, soprano-range areas. Might she have two voices? --David Patrick Stearns


恋とはどんなものかしら~モーツァルト:アリア名曲集

恋とはどんなものかしら~モーツァルト:アリア名曲集

By ワーナーミュージック・ジャパン
価格(税込): ¥ 1,071
国内配送無料


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